Exploring the relationship between image and object, I created three color 3D‑printed forms whose surfaces are distorted fragments of an image on which the prints are placed. The image depicts the façade of an apartment building, while the 3D organic forms emerge as anomalies growing from the perfect geometrical grid, disrupting its rigid order and creating a dialogue between structure and irregularity. The image reflects our urban landscape, a rigid grid of order and structure.

The 3D-printed object emerges as a symbolic glitch within this system—an intrusion of irregularity, like rhizomes pushing through the strict geometry, striving to reclaim their untamed, natural form. It is a visual meditation on the tension between the constructed and the organic, the planned and the spontaneous, suggesting that even within the most controlled environments, life and unpredictability persist, quietly reshaping the world around us.